Her mother died while racing jet skis. The daughter wants to continue with her mother's passion against her father's wishes. She also wants help from her estranged uncle who was part of the old racing crew.

Waves is inspired by a short novel of Robert Louis Stevenson, The Ebb-tide, written and published in 1894, the year of his untimely death (Stevenson was 44 years old).

A young Black man grapples with his toxic cycle, his day unfolding through a visual poem set to a tape cassette that weaves the rhythm of his struggles, echoing his journey toward self-awareness and change.

After inadvertently killing his girlfriend, a man flees Macau for Thailand in an attempt to cope with his guilt, and avoid possible arrest. But the relocation doesn't prevent his problems from following him, as his new friends could be potential enemies.

Visitors to a remote island discover that a reclusive Nazi commandant has been breeding a group of zombie soldiers.

A slasher is killing surfers to make a surfboard out of human flesh.

A slasher is killing surfers to make a surfboard out of human flesh.

Heat Waves uses pop culture to deconstruct our collective amalgamation of this idea called ‘the tropics’. It is an imagined place made up of vastly different real places that have in common popular fetishisation and, simultaneously, mass neglect in the face of climate catastrophe. One man’s paradise is another man’s existential threat.

The work alludes to the use of the word “wave” in German media, such as “migrant tsunami” and “migrant wave”, used to intimidate the public. The film suggests the flow of migration as a natural part of human existence by comparing it to the movement and circulation of waves that have always been everywhere.

The killer waves that were defeated in the first Killer Waves return to Balsamo Beach to finish the job. This time it's personal.